The BRAL, Biennial of Resilience, Art & Landscape was born as the result of the happy multi-year collaboration between LWCircus and Asinara Natural Park, carried out since 2019 with the first AsinaraLab019 and consecrated by the participation at the 17th Venice Architecture Biennial (2021) and at the 12th Biennial of Landscape in Barcelona (2023), by which for years, activities have been organized to connect the two architectural and landscape disciplines and to stimulate a debate on the role of art and artistic languages in the context of cultural landscapes enhancement and social inclusion. The activities of BRAL024 include the AsinaraLab024 operative workshop, from 26th September to 6th of October, involving participation of worldwide practitioners, multimedia artists, photographers and performers, for the creation of site-specific works for the enhancement of the Asinara National Park and, as closing event, on 5th of October, the 5th edition of LWConvivium international symposium, focused on the key themes of art, resilience, sustainability and social inclusion, being it started with its 1st edition on 2021 for the participation of LWCircus Resilient Community at section of Resilience, art and Landscape at Italian Pavilion for the 17th Architecture Venice Biennial.

LWCircus non profit organization promotes the Italian – Mexican Operative Shared Program created during 2016 and focused on experimental modalities looking for new strategies for sustainable urban and rural development and the revitalization of cultural landscapes trough social inclusion, thanks to design methods based on shared practices, choral attitudes and osmotic processes within resilient communities on particular sensitive areas in the Mediterranean and Developing Countries. LWCircus is working since the foundation in between Florence, Rome and Asinara Natural Park, as well as rural villages in Yucatan and China. The mission is the social inclusion trough medium of art in rural, natural and urban contexts, working all over the world with artist, architects and landscape architects trough formula of operative workshops to revitalize places with communities and their minorities. The operative shared workshops stimulate the creation of a multicultural and interdisciplinary flow to exchange knowledge, information, attitudes, skills and real-world know-how through artistic expression and multiple forms of media. LWCircus designed symbiotic and adaptive processes. It made it in the transfigured rural villages of China, as well as in the Sardinian landscape of Asinara island, where the human beings were adapted over the years finding a way to live symbiotically with the natural environment, establishing a delicate equilibrium and in some way protecting the delicate ecosystem, and also in the Yucatan, among the Mayan minorities, whose resilient abilities date back to millenary habits of adaptation to continuous environmental changes or even in Florence, where triggers were necessary to reactivate life correspondences, in between citizens and refugees. In all of this, the protagonist has been always the landscape, the result of the action and interaction between the human and more than human. LWCircus works by means of artistic languages that generate symbolic spaces germinated by temporary choral installations. Although they are made with perishable elements or with time-resistant scraps, these are capable of being real narrative devices in which the historical memory of the places is revisited to reactivate the knowledge of the landscape, undertaking renewed relationships with the landscape itself, a peculiarity of resilient communities.